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Hotel California: The True-Life Adventures of Crosby, Stills, Nash, Young, Mitchell, Taylor, Browne, Ronstadt, Geffen, the Eagles, and Their Many Friends Kindle Edition

4.2 4.2 out of 5 stars 1,058 ratings

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"Hoskyns brings a genuine love as well as an outsider's keen eye to the rise and fall of the California scene. . . . This is a riveting story, sensitively told."
Anthony DeCurtis, Contributing Editor, Rolling Stone

From enduring musical achievements to drug-fueled chaos and bed-hopping antics, the L.A. pop music scene in the sixties and seventies was like no other, and journalist Barney Hoskyns re-creates all the excitement and mayhem. Hotel California brings to life the genesis of Crosby, Stills, and Nash at Joni Mitchell’s house; the Eagles’ backstage fistfights after the success of "Hotel California"; the drama of David Geffen and the other money men who transformed the L.A. music scene; and more.

Editorial Reviews

From Publishers Weekly

As musical scenes go, it would be hard to come up with a less dramatic one than that of the singer/songwriters who dominated Southern California from the mid-1960s through the mid-'70s. Nevertheless, British music journalist Hoskyns gamely tries to make the "denim navel-gazers and cheesecloth millionaires of the Los Angeles canyons" exciting in his no-nonsense account of those musicians' rise and fall. Jumping right in with little introduction, Hoskyns relays the particulars of the burgeoning scene that drew sensitive musicians west from Greenwich Village, limning the differences between those who lived in Topanga and Laurel Canyons and detailing the explosive shocks to their insular world (like the Monterey Pop festival and the Manson murders), all leading up to the cash-register mentality that formed the Eagles. The cast is robust-ranging from the intense Joni Mitchell and mercenary David Geffen to neo-beatnik Tom Waits-but not deeply examined. Hoskyns has a better ear for the music, letting his record-critic side take over with adjective-riddled prose. Still, Hoskyns's account shows how the "back-porch folkies" of the scene's early days eventually morphed into "Lear-jet superstars."
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

* In ""Hotel California,"" Barney Hoskyns uses variations on a telling phrase - ""wise (or weary) be-yond their years"" - to explain why the compositions of the Los Angeles-based singer-songwriters of the early to mid-1970s have proved so enduring.
Joni Mitchell; Neil Young; Jackson Browne; James Taylor; ""Tapestry""-era Carole King; Crosby, Stills and Nash  their songs really did seem special then and, to a surprising degree, remain so now.
Influenced by the way Bob Dylan's success in the 1960s gave young songwriters permission to say anything they wanted in their lyrics, and created an audience that eagerly awaited such daring writing, they moved toward the intimately confessional. They were uncommonly good at it, often ruefully melancholy, and they scored million-selling hits.
Hoskyns looks at the time and place that spawned the singer-songwriters and their friends and lovers - the counterculture-friendly, surprisingly rustic and (at the time) affordable hillside canyons separating Los Angeles' busy basin and oceanfront communities from its equally busy suburban Valley. Laurel Canyon, especially, but also Topanga Canyon and some others. Some of the book's subjects were born in Southern California and some came from elsewhere; some started writing in California and some brought their established careers with them.
""It was very different from the Tin Pan Alley tradition, where guys would sit down and try to write a hit song and turn out these teen-romance songs about other people,"" Henry Diltz, a photographer friend of the singer-songwriters, is quoted as saying.
The results - Mitchell's ""Ladies of the Canyon"" and ""Both Sides Now,"" Young's ""Old Man"" and ""Heart of Gold,"" Browne's ""For a Dancer,"" Taylor's ""Fire and Rain,"" King's ""It's Too Late"" and many more - constitute a golden era of American songwriting.
It's one that might not come again in terms of quality and cultural impact. And the possibility that it was a peak seems to be dawning on their core audience of aging boomers, as well as publishers. Hoskyns' book follows by just a few weeks another on the same subject, Michael Walker's ""Laurel Canyon.""
This takes its title from a song by one of the biggest acts to emerge from the milieu, the Eagles, who covered material from the singer-songwriters in addition to composing their own. They are not the best examples of the scene's artistry but certainly of its commercial success. Hoskyns uses the term ""rocklite"" to describe their sound.
A British journalist and critic whose previous books about American music include the superb ""Strange Days, Weird Scenes, and the Sound of Los Angeles"" and ""Across the Great Divide: The Band and America,"" Hoskyns is knowledgeable about his subject. He loves delving behind the hits and the superstars to see who else was making valuable music in L.A. during the period.
In doing so, he points out that the canyon's ""organic"" singer-songwriters weren't the only thing happening in L.A., nor was their approach unchallenged by others. As a result, ""Hotel California"" has some lively and intriguing ideas about the shortcomings of confessional songwriting - a preoccupation with self-reflection - that gives the book intellectual weight.
An L.A. singer-songwriter who was a contemporary of the others - Randy Newman - has proven long-lasting precisely because he wasn't confessional, Hoskyns observes. ""Using third-person characters - or singing in character - Randy's songs were suffused by irony, often stunningly funny."" He also has praise for the satirically political work of Frank Zappa, and for the exploration of ""the darker side of the California dream"" pursued by Tim Buckley and Tom Waits.
For that matter, Neil Young had as much of a dark side as an idealistic one, Hoskyns points out - he once recommended that his record label sign an aspiring songwriter named Charles Manson (be-fore the Tate-LaBianca murders).
In their personal lives, the canyon singer-songwriters pract

Product details

  • ASIN ‏ : ‎ B00DNL3M1W
  • Publisher ‏ : ‎ Trade Paper Press; 1st edition (April 21, 2008)
  • Publication date ‏ : ‎ April 21, 2008
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1159 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 416 pages
  • Customer Reviews:
    4.2 4.2 out of 5 stars 1,058 ratings

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Customer reviews

4.2 out of 5 stars
1,058 global ratings

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Customers say

Customers find the book an interesting read about the music scene in Southern California. They appreciate the stories by people who were there during the time. The narrative portrays a vivid image of the life and people who lived in Laurel Canyon. However, some readers found the book boring, hard to follow, and poorly written.

AI-generated from the text of customer reviews

75 customers mention "Readability"75 positive0 negative

Customers find the book engaging and interesting. They say it starts well and tells a great story.

"...California Sound of the 1960's and 70's this is an interesting and engaging book...." Read more

"...excesses of too many of the stars chronicled here, this is a book well worth reading if you're interested in the incredible music of this time period." Read more

"I understand why it frustrates some people, but this is a decent book...." Read more

"...A compelling read with informative details about all the major players' quirks and foibles...." Read more

50 customers mention "Music content"50 positive0 negative

Customers find the book informative about the music scene in Southern California. It chronicles the evolution of the music industry and the great musicians who were part of it. Readers recommend it to music fans and students of cultural history. They mention it's a trip back in time and recommend it for fans of country rock.

"...this is a book well worth reading if you're interested in the incredible music of this time period." Read more

"...both Google Earth and YouTube, immersing myself in the rich Laurel Canyon musical history...." Read more

"...The author has done a ton of research: if you were in Laurel Canyon in 1968-71 and Hoskyns didn't interview you, it probably means you are dead...." Read more

"A lot of various insights into the music business from the 60’s, 70’s and later. It’s stories we may have heard from people that were there...." Read more

37 customers mention "Story quality"37 positive0 negative

Customers enjoy the stories in the book. They find the backstories of great songs and artists interesting. The subject is full of intrigue, with insights into the lives and situations of powerful people. Readers appreciate hearing stories about musicians they listened to when young.

"...history of the California Sound of the 1960's and 70's this is an interesting and engaging book...." Read more

"...It was interesting to read of the artists who saw it coming and were able to remain true to their visions as well as change with the times..." Read more

"...A highlight for me is the continuing and interesting CSNY stories, which in part saw me going back and enjoying many Hollies songs with Graham Nash...." Read more

"...the music itself and, in addition to all the milestones, champions several obscure works. His quick portraits are instinctive and convincing...." Read more

36 customers mention "Narrative quality"36 positive0 negative

Customers find the book's narrative vivid and honest. They appreciate the in-depth look at the stories behind the music, as well as the business side of the music. The book is well-researched and well-written, with good pictures. Readers say it explains clearly where the lines cross and offers an honest view on the destructive nature of excess and ego.

"...Including how fame and fortune compromised many of the stars. Well written and easy to read. I read it in a couple of days." Read more

"...Curious thing: while the photo gallery here is unusually good--I particularly enjoy all the shots of people lighting Glenn Frey's cigarettes--the..." Read more

"Still reading, but book is informative and lots of good pics." Read more

"...This book spelled it all out, in no uncertain terms, where the lines crossed between art, and craft, inspiration and addiction...." Read more

23 customers mention "Information content"12 positive11 negative

Customers have different views on the book's information. Some find it informative and well-written, with plenty of detail and backstage gossip. Others feel there is too much information crammed into the book, making it hard to find new or relevant information. The details and industry context can be confusing and disorienting, making the book seem fragmented and boring.

"...A compelling read with informative details about all the major players' quirks and foibles...." Read more

"...First, Hoskyns has simply taken on too many stories...." Read more

"Hotel California is a well written book with a lot of detail, but it is more the story of David Geffen and Eliot Roberts - the men behind the scenes..." Read more

"...The only issue I had with it is that there is too much information crammed into the book...." Read more

14 customers mention "Pacing"8 positive6 negative

Customers have different views on the pacing. Some find it fast-paced and engaging, with an interesting history and good photo gallery. Others find the recitation repetitive and hard to keep up with. The book skips around too much and has a slow start.

"...The 60s and early 70s were a creative period for the kind of music I like...." Read more

"...This is a really annoying way to start a book - gets the reader off on the wrong foot...." Read more

"...Curious thing: while the photo gallery here is unusually good--I particularly enjoy all the shots of people lighting Glenn Frey's cigarettes--the..." Read more

"The author brings up a lot of names. It is hard to keep up. I would have liked more depth on the better named subjects. Some subjects...." Read more

14 customers mention "Boredom"0 positive14 negative

Customers find the book boring and difficult to follow. They feel it lacks interest and flow, and consider it a waste of time.

"...Nudie suits/funeral pyre myth along with him, the book has become hopelessly over-committed...." Read more

"When I first started this book it smacked of name dropping, boring and confusing details that seemed disoriented, and I almost packed it up...." Read more

"...page after page of notes and realized that there is in fact only 70% of book to read ! Considering how much I was enjoying the book, it was a shame." Read more

"Rather a bland read, gave insight into the music industry back in the 70’s. The musicians engaged in drugs, alcohol and women as you might guess...." Read more

7 customers mention "Writing quality"0 positive7 negative

Customers find the book poorly written and lacking structure. They feel it's fragmented, with poor editing and little organization. The ending is abrupt for them.

"...'70's (I was there, and I remember it) but I think the book could have been structured better - it seems to bounce around, and the reader never..." Read more

"...It may have just been poor editing but about half way through the book just became a series of loosely related anecdotes...." Read more

"...Probably for this reason the book is quite fragmented, and it was hard to find information that was new or relevant to me...." Read more

"...Quite quickly and almost like the author got tired of writing and just gave up." Read more

Top reviews from the United States

  • Reviewed in the United States on March 6, 2024
    For those interested in the history of the California Sound of the 1960's and 70's this is an interesting and engaging book. It goes into the personalities of important performers and writers of this genre. Including how fame and fortune compromised many of the stars. Well written and easy to read. I read it in a couple of days.
    3 people found this helpful
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  • Reviewed in the United States on May 9, 2020
    It's weird to think about the period covered in this book being so long ago (50 years or so) because I still listen to much of this music today. The 60s and early 70s were a creative period for the kind of music I like. Yeah, I'm a dinosaur and I enjoyed reading the behind the scenes stories. Some artists went sailing too close to the sun, some of the most talented dying too soon (Gram Parsons, Cass Elliot, Lowell George) or nearly losing their minds (David Crosby, Stephen Stills, Glenn Frey + Don Henley don't fare too well in this tale). One of the big culprits is Ego; give a creative 20 year old tons of money and they don't always make wise decisions. One of those unwise decisions was often white powder and that helped destroy a lot of the creative energy, replacing it with paranoia and hostility. It was interesting to read of the artists who saw it coming and were able to remain true to their visions as well as change with the times (Neil Young and Joni Mitchell) or artists who stayed (somewhat) close to the ground and created great music (Tom Waits and Randy Newman) and I was also touched by the grace of Emmylou Harris. While it's sad to read about the excesses of too many of the stars chronicled here, this is a book well worth reading if you're interested in the incredible music of this time period.
    69 people found this helpful
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  • Reviewed in the United States on January 11, 2021
    This is one thats hard to put down. After each reading session I find myself researching both Google Earth and YouTube, immersing myself in the rich Laurel Canyon musical history. Hanging out at the Troubadour, Geffens Asylum, Cass Elliot, Peter Tork or Stephen Stills house is only part of the behind the scenes stories. Always interesting is JD Southers comings and goings, and which lady he's spending time with, everyone from Ronstadt to Joni. Speaking of Joni, she dated so many up and coming musicians, wow. A highlight for me is the continuing and interesting CSNY stories, which in part saw me going back and enjoying many Hollies songs with Graham Nash. There is a great interview on the Washington National Library yt channel with Graham, and another with Chris Hillman.
    11 people found this helpful
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  • Reviewed in the United States on August 9, 2012
    I understand why it frustrates some people, but this is a decent book. The author has done a ton of research: if you were in Laurel Canyon in 1968-71 and Hoskyns didn't interview you, it probably means you are dead. He has digested the music itself and, in addition to all the milestones, champions several obscure works. His quick portraits are instinctive and convincing. And I like the trajectory he depicts: beginning with a truly vital scene that included the Byrds, Burritos, and Buffalo Springfield, the story moves from the hippie days in the Canyon, when it was about good weed and tail and you slept on someone's couch, to the hard and aloof multi-platinum era, when creativity gave way to cocaine and albums whose productions were as bloated as 'Cleopatra.' "The world stopped looking to musicians for answers and instead started to live vicariously through their heroes' hedonism," Hoskyns writes--a withering observation.

    There are a couple problems here, though. First, Hoskyns has simply taken on too many stories. As if it weren't a tall enough order to treat Joni Mitchell, the Eagles, and CSN&Y (and all its offshoots) in a single book, the author also feels obliged to keep up with James Taylor, Jackson Browne, Tom Waits (one of the few native Californians here), Linda Ronstadt, Lowell George, et al, and to salvage the reps of forgotten artists like Judee Sill, Gene Clark, and Jimmy Webb. By the time Gram Parsons shows up, dragging his whole Nudie suits/funeral pyre myth along with him, the book has become hopelessly over-committed. And we haven't even gotten to Fleetwood Mac and Warren Zevon yet. On top of this there is the whole behind-the-scenes component: Doug Weston's Troubadour club down on Santa Monica Boulevard; the Reprise guys and their "Burbank sound"; David Geffen and the rise of Asylum; Irving Azoff, who stole the Eagles from Geffen and oversaw all those all those records with the horrible Boyd Elder cow skulls on them. You see what I mean, it all gets mighty complicated. The book could sorely use a family-tree diagram to sort out all of the players. (While they're at it, we could use another diagram just to sort out everyone Joni Mitchell and J.D. Souther had sex with.)

    There are no real hatchet jobs here; several people (Browne, Souther, Geffen, Stills, Crosby, Henley and Frey of the Eagles) are awfully hard to like, but I'm not sure that could be helped. What isn't all right is the way the music itself becomes hard to like. Which brings us to the second serious problem: the deterioration that Hoskyns traces is all too true. In the end it simply isn't a terribly vibrant scene he's writing about--it's the death of the rock'n'roll spirit and the victory of pure product. Not very heroic stuff. As one onlooker remarks in the midst of so much success, "I didn't think it was good poetry, and I didn't think it was good show business."

    Curious thing: while the photo gallery here is unusually good--I particularly enjoy all the shots of people lighting Glenn Frey's cigarettes--the cover art is weirdly bush league; it looks like it belongs on something like 'Bob Stroud's Mellow Guitar for Intermediate Players.' (I made up Bob Stroud, so don't go looking.)
    33 people found this helpful
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  • Reviewed in the United States on July 21, 2024
    A lot of various insights into the music business from the 60’s, 70’s and later. It’s stories we may have heard from people that were there. I found it very interesting.
    One person found this helpful
    Report
  • Reviewed in the United States on September 9, 2024
    Still reading, but book is informative and lots of good pics.
    One person found this helpful
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  • Reviewed in the United States on September 1, 2019
    All of the magic, the drama, the trauma, and the sex, drugs and rock-n-roll adventures of this creative period fill the book. A compelling read with informative details about all the major players' quirks and foibles. The artists, managers, record company execs, club owners, groupies, and hangers on are all here. Joni Mitchell and Linda Ronstadt have lots of men standing in line to hook up with them. It is a terrific book.
    5 people found this helpful
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  • Reviewed in the United States on April 17, 2013
    I've read just about all the literature about the music scene, covered in the time period that this book is devoted to. The reason I kept on reading about it is that a) the music and where it came from was important to me, b) whatever I had read thus far failed to complete the story for me. I read "Hotel California" with diminished expectations, to say the least. I was ecstatic that there was finally a comprehensive picture of the scene and the players, that covered the entire time line. This book spelled it all out, in no uncertain terms, where the lines crossed between art, and craft, inspiration and addiction. For music history junkies like myself, this one is a must read.
    2 people found this helpful
    Report

Top reviews from other countries

  • Shawn T Lackie
    5.0 out of 5 stars Excellent Look at California Music Scene in 70s
    Reviewed in Canada on July 11, 2020
    Hoskyns nails it with his unblemished look at the music scene in California in the 70s. Great to read these stories about how this whole movement was put together. Factual and very straight forward he doesn't try to steal the stage. Just reporting what went on. Highly recommended.
  • Francisco José Fernández
    5.0 out of 5 stars Very, very interesting
    Reviewed in Spain on November 4, 2013
    In this book I found a lot of information about a musical era that have fascinated me for a long time. How the kind of music I love the most was born and how it evolved. Laurel Canyon and its relevant characters, I wish I had been there !!
  • NoMa
    4.0 out of 5 stars detailed overview of the Laurel Canyon / singer-songwriter scene
    Reviewed in Germany on April 30, 2013
    I bought this book out of interest in the L.A. singer/songwriter scene of the late 60's/early 70's. I'm not yet completely finished with the book, but I can say that it's nicely written and contains a high density of detailed information. Hoskyns scetches careers of artists I hadn't even heard of so far (which probably isn't a big surprise considering that I was born in '82), but stays focused on the big names like CSN(&Y), Joni Mitchell, Eagles, Jackson Browne, David Geffen etc. This book is a good overview of the singer/songwriter scene back in the day.
  • Dengie Tel
    5.0 out of 5 stars Sunset Boulevard Rocks
    Reviewed in the United Kingdom on July 31, 2012
    This is a fascinating insight to the somewhat musically incestuous tight knit Southern California community of the sixties and seventies. The threaded connections that led to such 'supergroups' as The Eagles and CSN&Y are a true indication that, in most instances, they could not have survived and thrived without each other. A complex human jigsaw of incredible talent, if ever there was one.
  • Kelly Belanger
    4.0 out of 5 stars Hotel California.
    Reviewed in Canada on November 11, 2021
    Illuminating. A compelling read. There is plenty of detail to paint a colourful and interesting picture of the magic of these halcyon days.

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